Flying saucers, deep-sea creatures, dream-derived performances and the 250th anniversary of the USA: unmissable action at ...

At Tiwani Contemporary, Lagos, the artist renders domestic spaces with formal precision while probing the elusive inner lives ...

Pencil and marker on onion skin paper, 30 x 21 cm. Presented by Champ Lacombe Antoni Miralda, Bridesmaids/ Worlds – Columbus Index, 1989. Pencil, marker on onion skin paper, 30 x 21 cm. Courtesy: the ...

From shared lament to sonic trauma, Venice’s strongest off-site presentations explore grief, listening and historical memory ...

The meeting of environment and technology is front and centre in the Californian artist’s retrospective at Institute of Contemporary Art, Philadelphia On the last March weekend of 1988, visitors to ...

This section of the Venice Biennale offers the most concentrated and coherent expression of Koyo Kouoh’s curatorial vision ...

In the Giardini, the late curator’s vision for new ways of engaging art is gestured towards, but even a commendable ...

She is flanked by two porta-potties, into which visitors are invited to ‘donate’ their urine, which is then descaled and fed ...

Nobody expected much of the US pavilion this year. The choice of artist was long delayed while the State Department overhauled the usual selection process. For a while, it was rumoured the honour ...

As ‘Canicula’ closes Fondazione In Between Art Film’s ‘Trilogy of Uncertainties’ in Venice, its artistic director reflects on ...

In ‘Silent Work’ at Gallery Baton in Seoul, Leipzig-based painter Rosa Loy employs matte, fresco-like casein tempera and ...